QZ qz thoughts
a blog from Eli the Bearded

Deathstalker


One of the more notorious Roger Corman productions is the 1983 film Deathstalker. This was marketed as a swords and sorcery movie but it's a primarily a tits and ass film around a swords and sorcery story with a smattering of weak comedy.

When we first meet "Stalker" he has just met a band of hideous looking men (monsters?) who are trying to steal the loot, and kidnapped woman, off a thief. Stalker kills all the monster-men, then thief, and then tries to force himself on the woman. Over the course of the film, he calls himself Stalker and others call him either Stalker or Death Stalker.

The title character is not morally ambiguous, he's morally odious. To call him an "antihero" would be a whitewashing of the term. The exploitation is thick, every woman under 30 in the cast is there to show skin. The named two women stars were best known at the time for modeling, one in Playboy. The other, Lana Clarkson, only really became famous with this role. (Later she would marry Phil Spector and be killed by him.)

The story is weak, the special effects so-so, the costumers emphasizing the beefcake of the male stars and sex appeal of the female. But the camerawork is good and the stars are good to look at.

In 2025, a remake has come out. This one is executive produced by Slash (of Guns'n'Roses fame). The cast is much smaller, and no one flashing tits or ass. This time it is clearly a swords and sorcery comedy.

Here we meet Deathstalker, an ex-military man who now is an independent thief looting battlefields, and finishing off some of the wounded for their bounty. Later in a bar, the patrons talk of him and share his name with the audience.

The story has some vague similarities, but most specifics differ. The cast is a lot smaller, and the sets are not as impressive. The new one has a lot of good practical effects, a rarity in this day and computer age. For all of the lack of actors, this wastes no opportunity for a good practical detail.

The story makes more sense now and Patton Oswald lends his voice to the main comic-relief sidekick. The names of every character except Deathstalker and the witch Toralva differ. In both stories Toralva explains the some magic artifacts and sends Deathstalker on his way.

There's still a plot significant amulet and sword, but in 1983 Deathstalker gets the sword and then looks for the amulet, which the wizard Munkar has. With the amulet, Munkar can't die. With the sword, Deathstalker can't be killed.

In 2025, Deathstalker gets the amulet during his battlefield thievery. He discovers he can't get rid of the amulet and Toralva tells him it goes with whoever killed the last owner. The wizard Necronemnon is out to get the amulet, and is willing to kill for it. Deathstalker needs to find the special sword which is the only thing that can kill the wizard.

The newer movie is a better story, with better creatures. It has a lot more gore than the original and none of the eighties sex excess. It also is a lot smaller.

Deathstalker (2025) at imdb
Deathstalker (1983) at imdb